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                <dcterms:title>Selected Papers from the 2024 TEI Conference</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
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                <dcterms:contributor>Gimena, del Rio Riande</dcterms:contributor>
                <dcterms:contributor>Gustavo, Fernandez Riva</dcterms:contributor>
                <dcterms:contributor>María Teresa, Ravelo Sánchez</dcterms:contributor>
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                <dcterms:identifier scheme="URN">urn:doi:10.4000/167ih</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">es</dcterms:language>
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                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/167ih</dcterms:identifier>
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                <dcterms:title>CalDraCor: un corpus computacional para el estudio de la obra dramática de Calderón de la Barca</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
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                <dcterms:creator>Ehrlicher, Hanno</dcterms:creator>
                <dcterms:creator>Castro, Antonio Rojas</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">Corpus</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Theatre</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Computational analysis</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Pedro Calderón de la Barca</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">DraCor</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Digitisation</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Linguistic patterns</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Corpus</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Teatro</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Análisis computacional</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">DraCor</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Digitalización</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Patrones lingüísticos</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Pedro Calderón de la Barca</dcterms:subject>
                <dcterms:abstract xml:lang="es">Calderón Drama Corpus (CalDraCor) es un corpus de obras teatrales escritas por Pedro Calderón de la Barca preparadas para facilitar el análisis computacional. Compuesto por 205 piezas teatrales, el corpus representa un esfuerzo sin precedentes por digitalizar y estructurar el legado dramático de uno de los máximos exponentes del teatro español. Además, como parte de la plataforma DraCor, que conecta textos dramáticos de diversos idiomas y tradiciones, CalDraCor permite a los investigadores estudiar las obras de Calderón no solo como literatura, sino como sistemas complejos de personajes, diálogos y patrones lingüísticos, y permite comparaciones con otros textos dramáticos de la infraestructura digital. Esta nota describe el origen y evolución de CalDraCor, el tipo de datos que contiene, su impacto en la investigación, la política de datos abiertos llevada a cabo y los principios de normalización.</dcterms:abstract>
                <dcterms:abstract xml:lang="en">Calderón Drama Corpus (CalDraCor) is a corpus of plays written by Pedro Calderón de la Barca prepared for computational analysis. Comprising 205 plays, the corpus represents an unprecedented effort to digitise and structure the dramatic legacy of one of the greatest exponents of Spanish theatre. Furthermore, as part of the DraCor platform, which connects dramatic texts from different languages and traditions, CalDraCor allows researchers to study Calderón’s works not only as literature, but also as complex systems of characters, dialogues and linguistic patterns, and allows comparisons with other dramatic texts in the digital infrastructure. This note describes the origin and evolution of CalDraCor, the type of data it contains, its impact on research, the open data policy implemented, and the standardisation principles.</dcterms:abstract>
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                <dcterms:identifier scheme="URN">urn:doi:10.4000/1670u</dcterms:identifier>
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                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/1670u</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Notes from the Front: Resisting Maximalism in Your Minimal Edition</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Giannetti, Francesca</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">history</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">pedagogy</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">digital editing</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">data modeling</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">subject classification</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">interface</dcterms:subject>
                <dcterms:abstract xml:lang="en">Minimal editions have become popular because they address the problem of curating texts under a set of constraints—practical, conceptual, technical, and editorial. But the encoding and publication workflows, even for minimal editions, run the risk of becoming bloated if the editor loses sight of the project’s priorities. Over a project’s life cycle, it is normal that these priorities will shift under the pressure of this or that constraint or challenge. Several authors have noted that minimal computing stacks displace complexity away from users and onto the editor or technical partner (Dombrowski 2022; Giannetti 2019; Hughes 2016). Identifying the necessary technical complexity is rarely easy. The author focuses on the latter two of Risam and Gil’s four-question heuristic for minimal computing—“what must we prioritize?” and “what are we willing to give up?”—to demonstrate the importance of reengaging with these questions as new challenges come to light (Risam and Gil 2022). This project paper explores the encounter of initial modeling and workflow plans with the shifting ground of project execution, providing substance for the hard decisions editors face amid evolving priorities and the need to curtail some plans. Documentation of best practices in this area will serve other editors who must make pragmatic choices in the service of local knowledge production.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6511">
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              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15qny</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">es</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6511</dcterms:identifier>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2026-02-20T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15qny</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>La codificación en XML-TEI del teatro español del Siglo de Oro: problemas, soluciones, ortodoxia y heterodoxia</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Leboffe, Emanuele</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">theater</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Spanish Golden Age</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">digital critical edition</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">orthodox encoding</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Digital Humanities</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">teatro</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Siglo de Oro</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">edición crítica digital</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">codificación ortodoxa</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Humanidades Digitales</dcterms:subject>
                <dcterms:abstract xml:lang="es">1. Resumen Este artículo analiza algunos de los principales proyectos de edición crítica digital centrados en el teatro español del Siglo de Oro y desarrollados en la última década, poniendo de relieve las complejidades asociadas a la codificación de textos de este tipo. Se examina, luego, cómo dichos proyectos, en algunos casos, pueden abordar de manera distinta la codificación de un mismo elemento o fenómeno textual (estrofas, versos partidos, fragmentos en prosa y variantes básicas tipificadas en los manuales de crítica textual). En particular, mientras algunos de ellos siguen una codificación alineada con las directrices TEI, otros recurren a soluciones de compromiso y semánticamente inoportunas que, en muchos casos, favorecen la visualización, pero a costa de la uniformidad y la interoperabilidad de los datos. El estudio, por lo tanto, busca aportar un catálogo de la casuística, discutiendo las soluciones propuestas en cada caso y evaluando su efectividad. Finalmente, cuando sea necesario, se propondrán alternativas que aseguren una mayor precisión semántica en el marcado.</dcterms:abstract>
                <dcterms:abstract xml:lang="en">2. Abstract This article analyzes some of the major digital critical edition projects focused on Spanish Golden Age theater and developed over the last decade, highlighting the complexities associated with encoding texts of this kind. It then examines how these projects, in some cases, may approach the encoding of the same textual element or phenomenon (stanzas, split verses, prose fragments, and basic textual variants classified in textual criticism manuals) in different ways. In particular, while some of them follow an encoding aligned with TEI guidelines, others resort to compromise solutions that are semantically inappropriate, often prioritizing visualization at the expense of data uniformity and interoperability. Therefore, this study aims to provide a catalog of case studies, discussing the solutions proposed in each instance and evaluating their effectiveness. Finally, when necessary, alternative approaches will be suggested to ensure greater semantic accuracy in the encoding.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6499">
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              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15gpt</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">es</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6499</dcterms:identifier>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2026-01-07T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15gpt</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Interfaces de visualización y criterios de accesibilidad. La edición digital de la primera parte del Sferamundi di Grecia (1558) de Mambrino Roseo da Fabriano</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Bazzaco, Stefano</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">digital scholarly editions</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">accessibility</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">user interfaces</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Progetto Mambrino</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">romances of chivalry</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">ediciones digitales académicas</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">accesibilidad</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">interfaces de usuario</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Progetto Mambrino</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">libros de caballerías</dcterms:subject>
                <dcterms:abstract xml:lang="es">Este trabajo tiene como objetivo estudiar las interfaces de visualización de ediciones digitales académicas TEI-based tomando como punto de referencia los criterios de diversidad, inclusión y accesibilidad de los recursos digitales promovidos por el Accessibility Act de la Unión Europea. En primer lugar, se analizan los usuarios de las ediciones digitales y se describe el estado actual de las interfaces de visualización. En segundo, se toma como caso de estudio la edición digital de la primera parte del Sferamundi di Grecia (1558), obra que fue escogida como texto piloto para la Biblioteca Digital del Progetto Mambrino, con el fin de destacar las características de la interfaz que favorecen la participación de distintos grupos de usuarios. Finalmente, se aboga por soluciones de difusión y elaboración de los datos basadas en criterios más inclusivos y accesibles.</dcterms:abstract>
                <dcterms:abstract xml:lang="en">The present study aims to examine the field of visualization interfaces for TEI-based scholarly digital editions, following the criteria of diversity, inclusivity, and accessibility of digital resources promoted by the European Union’s Accessibility Act as a reference point. First, the users of digital editions are considered, and the current state of visualization interfaces is described. Second, the digital edition of the first part of Sferamundi di Grecia (1558) is taken into account as a case study. This work was chosen as the pilot text for the Digital Library of the Mambrino Project, and can be taken as a useful point to highlight the interface features that support the participation of different user groups. Finally, we advocate for dissemination and data-processing solutions based on more inclusive and accessible criteria.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6596">
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              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15qdw</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">es</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6596</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/6596</dcterms:hasFormat>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2026-02-19T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15qdw</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>¿Cómo editar los censos de personas esclavizadas?</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>McCarl, Clayton</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">Latin America</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">slavery</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">censuses</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">anti-racist markup</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Antioquia</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Republic of New Granada</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Colombia</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">esclavitud</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">censos</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">marcado antirracista</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Latinoamérica</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Antioquia</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">República de la Nueva Granada</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Colombia</dcterms:subject>
                <dcterms:abstract xml:lang="es">Este artículo reflexiona sobre la edición digital de listas de personas esclavizadas producidas en varios idiomas en las Américas entre los siglos XVI y XIX. A modo de ejemplo, considera cuatro censos breves en español que corresponden a poblaciones en la región de Antioquia, en la República de la Nueva Granada, hoy el Departamento de Antioquia en Colombia. Plantea un enfoque de la edición de estos documentos que reivindica su valor como artefactos textuales y, a la vez, posibilita la consulta no lineal de los datos que contienen. Con este fin, describe una propuesta de marcado en XML-TEI que permite la representación fiel del original y también facilita combinar y reorganizar los datos de acuerdo con varios criterios. Concluye argumentando que el modelo de marcado propuesto ofrece la posibilidad de respetar no solo la integridad de los documentos, sino también la humanidad de las personas que enumeran.</dcterms:abstract>
                <dcterms:abstract xml:lang="en">This article reflects on the process of creating digital editions of the enumerations of enslaved persons produced in various languages in the Americas between the sixteenth and nineteenth centuries. By way of example, the study considers four brief censuses in Spanish corresponding to populations in the Antioquia region of the Republic of New Granada, today the Colombian Department of Antioquia. The author proposes an approach to editing the documents that emphasizes their value as textual artifacts while also enabling the data they contain to be queried in a nonlinear manner. The article describes an approach to XML-TEI markup that allows for a faithful representation of the original lists while also permitting their data to be combined and reorganized according to various criteria. The essay concludes by arguing that the proposed model for markup offers the possibility of respecting not only the integrity of the documents but also the humanity of the people they enumerate.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6362">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15pss</dcterms:identifier>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6362</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/6362</dcterms:hasFormat>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2026-02-17T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15pss</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Preserving a LISTSERV Archive in TEI: The Case of TEI-L</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Bauman, Syd</dcterms:creator>
                <dcterms:creator>Beshero-Bondar, Elisa</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">computer-mediated communication</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">TEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">LISTSERV</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">character</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">email</dcterms:subject>
                <dcterms:abstract xml:lang="en">“Can the archives of an email list be stored in TEI?” This paper addresses this question with special attention to the challenges of data retrieval from the TEI-L LISTSERV and the mapping of email contents and metadata to XML and TEI. Our experiments with TEI data modeling involve adapting encoding models for correspondence and personography as well as from the new “Computer Mediated Communication” chapter of the TEI Guidelines. We experimented with very different approaches to retrieving and mapping LISTSERV data, and we faced challenges that reflect changing technologies in character encoding and email transmission, as well as conceptual difficulties in reliably tracing individual contributions over years and decades. Ultimately we believe that yes, it is possible (although difficult) to store the archives of an email list in TEI, that there are some problems with establishing a satisfactory encoding, and the methods one chooses will probably depend on the scope of a LISTSERV archival project.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6241">
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              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15di0</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">es</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6241</dcterms:identifier>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-12-17T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15di0</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>TEI o no TEI. Esa es la cuestión</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Rueda, José Manuel Fradejas</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">TEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Transkribus</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">HSMS</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">OSTA</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">PoS Tagging</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">TEI</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">HSMS</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Transkribus</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">OSTA</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Etiquetado morfológico</dcterms:subject>
                <dcterms:abstract xml:lang="es">La codificación de textos ha experimentado una notable evolución en el ámbito de la filología hispánica durante las últimas décadas. Este artículo examina el recorrido desde los primeros sistemas de codificación electrónica, como el desarrollado por el Hispanic Seminary of Medieval Studies (HSMS), hasta la adopción del estándar Text Encoding Initiative (TEI), considerado actualmente como el paradigma de codificación textual en las humanidades digitales. A pesar de ello, destacamos cómo en nuestra investigación ha sido necesario volver a usar el sistema de etiquetado del HSMS debido a su adaptabilidad a Transkribus, el sistema de Handwritten Text Recognition (HRT) y a la publicación de una aplicación de etiquetado morfológico desarrollada para OSTA, cuyas transcripciones se basan en el etiquetado HSMS.</dcterms:abstract>
                <dcterms:abstract xml:lang="en">The encoding of texts has undergone a notable evolution in the field of Hispanic philology over the past few decades. This article examines the journey from the early electronic encoding systems, such as the one developed by the Hispanic Seminary of Medieval Studies (HSMS), to the adoption of the Text Encoding Initiative (TEI) standard, which is currently considered the paradigm of textual encoding in digital humanities. Despite this, it has been necessary to revert to the HSMS tagging system due to its adaptability to Transkribus, a Handwritten Text Recognition (HRT) system, and the publication of a morphological tagging (PoS) application developed for OSTA, whose transcriptions are based on HSMS tagging.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6103">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15bov</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">es</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6103</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/6103</dcterms:hasFormat>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2026-01-30T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15bov</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Una solución minimalista al problema de la representación de la red semántica de motivos artísticos del Libro de Alexandre.</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Calarco, Gabriel Alejandro</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">sustainability</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">taxonomies</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">minimal computing</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Libro de Alexandre</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">ekphrasis</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">controlled vocabularies</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Spanish medieval poetry</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">minimal computing</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">poesía medieval castellana</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">Libro de Alexandre</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">écfrasis</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">sustentabilidad</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">vocabularios controlados</dcterms:subject>
                <dcterms:subject xml:lang="es" scheme="keywords">taxonomías</dcterms:subject>
                <dcterms:abstract xml:lang="es">El objetivo de este trabajo es presentar un problema que encontré en las etapas iniciales de desarrollo de mi edición digital de los fragmentos de ecfrásis del Libro de Alexandre: el marcado de los motivos artísticos representados en los fragmentos editados (un aspecto central en mi proyecto de investigación) y su posterior recuperación para crear una edición digital que le permitiese al lector interactuar con esas marcas. Se describirá la solución adoptada dentro del encuadre de la minimal computing, que me permitió cumplir ese objetivo a través de la creación de un sitio estático y de un vocabulario controlado, en el que cada motivo, submotivo y término específico tiene su identificador particular dentro de la estructura jerárquica de una taxonomía. Finalmente, ensayaré una reflexión sobre las ramificaciones prácticas y teóricas de las decisiones tomadas para sortear el problema, e intentaré argumentar que lo que comenzó siendo una solución práctica a un problema de índole material (limitada infraestructura tecnológica y financiamiento), terminó por convertirse en uno de los ejes centrales de la aproximación teórica al desafío de representar el fenómeno de la écfrasis en un poema castellano del siglo XIII a través de un objeto digital.</dcterms:abstract>
                <dcterms:abstract xml:lang="en">This paper aims to address a challenge encountered in the initial stages of developing my digital edition of ekphrasis fragments from the Libro de Alexandre. Specifically, the markup of artistic motifs within these fragments emerged as a pivotal aspect of my research, alongside the creation of a website to enable reader interaction with these marked motifs through digital means. I’ll discuss the solution adopted within the framework of minimal computing, which facilitated achieving this goal via a static website. Additionally, I’ll explore the creation of a controlled vocabulary, where each motif, submotif, and specific term is assigned a unique identifier within the hierarchical structure of a taxonomy. Finally, I’ll reflect on the practical and theoretical implications of navigating this challenge, arguing that what began as a practical solution to technological and financial constraints evolved into a fundamental aspect of my theoretical approach to representing ekphrasis in medieval Spanish poetry through digital means.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_6317">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15box</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/6317</dcterms:identifier>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-12-11T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15box</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Using OpenRefine to Encode Edgeworth’s Correspondence and Entity Indices</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Hale, Meredith L.</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">linked data</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">OpenRefine</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">minimal metadata</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">authority control</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">digital humanities training</dcterms:subject>
                <dcterms:abstract xml:lang="en">The Maria Edgeworth Letters Project (MELP) aims to make an open-access digital archive containing the complete correspondence of the Anglo-Irish Regency author Maria Edgeworth (1768–1849) and her circle. TEI is central to this project, as it is used to encode the text of the letters, create indices of named persons, places, and works, and ensure interoperability of the project in the long term. To date, more than two hundred letters have been encoded and made available on our beta site.1 In the next three years, this interinstitutional collaborative project plans to encode a total of five hundred letters and provide minimal metadata for all remaining digitized letters. While oXygen, XSLT, and other standard TEI tools are central to supporting the work that will allow the project team to achieve this goal, this proceedings paper2 aims to highlight the key role that OpenRefine plays in transforming spreadsheet data into indices defining persons, places, and works, as well as minimal TEI files. It also strives to raise awareness of how this general data cleaning and transformation tool can be used specifically in a TEI context by those with varying degrees of technical expertise.</dcterms:abstract>
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                <dcterms:title>Selected Papers from the 2023 joint MEC and TEI Conference</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
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                <dcterms:title>3D Text Encoding and TEI</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
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                <dcterms:creator>Nagasaki, Kiyonori</dcterms:creator>
                <dcterms:creator>Ohmukai, Ikki</dcterms:creator>
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                <dcterms:subject xml:lang="en" scheme="keywords">genetic edition</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">inscriptions</dcterms:subject>
                <dcterms:abstract xml:lang="en">This paper explores the integration of 3D technology in digital humanities, focusing on the increasing enthusiasm for 3D research practices in the field. It discusses the adoption of 3D methods in research and the challenge of advancing the field, particularly the representation of “text” in 3D models, such as inscriptions. The paper suggests integrating TEI (Text Encoding Initiative) markup with 3D space to represent rich text information in three-dimensional space, using inscriptions as a case study. It outlines methods for 3D text encoding, leveraging TEI, especially using the EpiDoc schema and extending it for 3D applications. The paper emphasizes the advantage of adopting the genetic edition–like markup using , to document spatial data, particularly 3D coordinates, to fully represent text in 3D space. The paper contributes to the discussion on encoding textual data in 3D environments, proposing adjustments to existing schemas to accommodate 3D information and highlighting the need for further development in this emerging field.</dcterms:abstract>
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                <dcterms:title>Data on the Move</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Dumont, Stefan</dcterms:creator>
                <dcterms:creator>Seifert, Sabine</dcterms:creator>
                <dcterms:creator>Kraft, Tobias</dcterms:creator>
                <dcterms:creator>Thomas, Christian</dcterms:creator>
                <dcterms:creator>Wierzoch, Jan</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">TEI customization</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">digital scholarly editions</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">ODD chaining</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">data modeling</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">data publication</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">API</dcterms:subject>
                <dcterms:abstract xml:lang="en">The edition humboldt digital (ehd) is published not only as an HTML website, but also as a data publication. While the website presents the digital edition, the data represent it. The underlying data model is derived from several standards (TEI, DTABf, ediarum.BASE.data-model) with the help of ODD chaining. But the data publication should not be considered an overarching “metapublication” from which all other published formats (print, HTML, PDF, etc.) can be derived. Rather, a decision must be made during the data publication process as to which content is to be published in which format and how. The data finally selected are retrieved via the edition’s own API and checked again on GitHub in order to prepare them for the final publication on Zenodo. It is important to keep in mind, however, that this is only a snapshot of the data, which can be improved and supplemented in the next versions. This article presents the data model, data curation, and data-publication workflow of the edition humboldt digital, and discusses the challenges that arise when dealing with “data on the move.”</dcterms:abstract>
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                <dcterms:title>Applied Text as Graph (ATAG) in an Algorithmic Edition</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Kuczera, Andreas</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">citation</dcterms:subject>
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                <dcterms:abstract xml:lang="en">The “Applied Text as Graph” (ATAG) methodology introduces a transformative framework for digital scholarly editing that addresses key challenges in text modeling, annotation, and citation with exceptional granularity (https://​github.​com/​THM-Graphs/). By representing texts as interconnected labeled-property-graphs down to the character level, ATAG enables dynamic text analysis, flexible annotation hierarchies, and editable text structures without compromising their integrity.1 ATAG has been successfully applied to projects such as Liber Epistolarum (http://​www.​liberepistolarum.​de/) and the Socinian Letter Project (http://​www.​sozinianer.​de/), demonstrating its adaptability to diverse editorial needs. A pivotal advance is ATAG’s integration of the ENC-link citation model, which provides a precise and reliable method for scholarly referencing. By making every character uniquely addressable, ENC-links generate URL-based citations that pinpoint specific text segments, streamlining verification and enhancing academic transparency. This approach ensures robust citations even as texts evolve, through versioning mechanisms like character-node UUIDs and text hashes. Furthermore, ATAG lays the groundwork for algorithmic editions, which are designed to be equally navigable by humans and computational systems. By enabling seamless access to uniquely addressable texts, annotations, and metadata, these editions transform digital texts into comprehensive, interdisciplinary resources. The dual emphasis on human readability and machine accessibility fosters new opportunities for textual analysis, intertextual exploration, and computational workflows. Ultimately, ATAG and its associated advances in ENC-link citation and algorithmic editions redefine digital scholarship by creating dynamic, integrative systems for the modeling, analysis, and application of texts, ensuring their relevance in both traditional and data-driven humanities contexts.</dcterms:abstract>
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                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-09-09T02:00:00Z</dcterms:issued>
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                <dcterms:title>Creating Parts from MEI-Encoded Musical Scores: Encoding Guidelines and a Part-Extraction Tool</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Sapov-Erlinger, Oleksii</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">Mozart</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">MEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">digital music edition</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">music notation engraving</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">musical scores</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">parts creation</dcterms:subject>
                <dcterms:abstract xml:lang="en">Musical performance requires the availability of individual instrumental or vocal parts from a full score. While it is possible to manually encode a score and its parts separately, automating this process is more efficient. This can be achieved through two converse methodologies: either by encoding the full score first and then extracting the parts, or by encoding the parts first and then combining them into a score. For both purposes, however, the tools available within the Music Encoding Initiative (MEI) are limited. This paper explores the concept of extracting parts from a score. The foundation for this is a consistent and semantically coherent encoding. So far, however, when encoding parts in a score, the available MEI encodings have focused mainly on the visual representation. A key challenge arises from the common engraving practice of notating multiple parts on a single staff, such as two clarinets sharing one staff. While the encoding of such parts should enable the score to be rendered in accordance with established engraving conventions, for automatic processing the semantic independence of the parts needs to be captured. To address these challenges, the paper proposes guidelines for encoding musical scores within the MEI framework, developed by the Digital Mozart Edition (DME). In addition, the DME is providing the MEI community with a part-extraction tool that uses the encoding structure outlined in these guidelines. This tool marks a significant advance in MEI-based score management and creates new opportunities for digital scholarly editing and performance preparation.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5832">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13x2d</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5832</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5832</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5832</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-05-14T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13x2d</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Saccomano, Mark</dcterms:creator>
                <dcterms:creator>Rosendahl, Lisa</dcterms:creator>
                <dcterms:creator>Lewis, David</dcterms:creator>
                <dcterms:creator>Hankinson, Andrew</dcterms:creator>
                <dcterms:creator>Kepper, Johannes</dcterms:creator>
                <dcterms:creator>Page, Kevin</dcterms:creator>
                <dcterms:creator>Shibata, Elisabete</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">Music Encoding</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Metadata</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Arrangements</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Data Modeling</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Corpora</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Digital Workflows</dcterms:subject>
                <dcterms:abstract xml:lang="en">One of the largest barriers to digital musicology is the time required to create an encoded music file. While tools exist to automate parts of the process, most of the symbolic content—pitches and rhythms—still needs to be entered manually, note by note. To facilitate the creation of corpora for digital analysis, the authors have developed a procedure for encoding only the portions of a score relevant to a particular study. These encodings can then be extended at a later time, by any scholar who has access to them. Currently, there is no standard way to record metadata that detail which specific sections of a score have been encoded. This paper will introduce a pair of possible methods, constructed in the course of the authors’ research and tool development, to enhance the ability of MEI to accommodate these selective encodings. The first method takes advantage of MEI’s capacity to create customized schemas. The second, simpler method makes use of element entailments within current MEI structures and consists of additional documentation to clarify existing usage. The research project serves as a case study that illustrates the key assumptions underlying these two approaches, and how project-based considerations can lead to the adoption of one over the other.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5657">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13tek</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5657</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5657</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5657</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-04-25T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13tek</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Distributed Data Storage Instead of a Primarily Local Solution?</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Kolb, Severin</dcterms:creator>
                <dcterms:creator>Schrinner, Matthias</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">MEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Digital Musicology</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">MerMEId</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">RISM</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">MARC</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Metadata</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">graph visualization</dcterms:subject>
                <dcterms:abstract xml:lang="en">This paper delves into the challenges of creating a comprehensive digital catalog of sources and works for the oeuvre of Franz Liszt, focusing on metadata management. Despite Liszt’s prolific and multifaceted output, existing attempts at systematization have been hindered by the fluidity and complexity of his compositions. The Digital Liszt Catalogue project, funded by the German Research Foundation, aims to address these challenges over a twelve-year period. Rather than adopting a “one tool fits all” approach, the project opts for a distributed data storage solution, leveraging existing repositories like RISM, Zotero, or musiconn.performance alongside local databases. The MerMEId tool is evaluated but found to be lacking in flexibility for Liszt’s catalog in its current form. Instead, the project proposes a “sources first” strategy, prioritizing the cataloging of sources before works. Technical requirements for interoperability and data integration across repositories are outlined, emphasizing the need for a seamless presentation system. The paper concludes by detailing the development of a TYPO3-based presentation system, incorporating advanced features such as graph visualizations to enhance user navigation and comprehension of Liszt’s complex oeuvre.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5622">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13llz</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5622</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5622</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5622</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-03-31T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13llz</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>FAIR Derived Data in TEI and Its Publication in the TextGrid Repository</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Tello, José Calvo</dcterms:creator>
                <dcterms:creator>Göbel, Mathias</dcterms:creator>
                <dcterms:creator>Veentjer, Ubbo</dcterms:creator>
                <dcterms:creator>Funk, Stefan E.</dcterms:creator>
                <dcterms:creator>Rißler-Pipka, Nanette</dcterms:creator>
                <dcterms:creator>Du, Keli</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">legal issues</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">derived data</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">copyright</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">literature</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">FAIR principles</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">repository</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">publication</dcterms:subject>
                <dcterms:abstract xml:lang="en">Many research projects face legal restrictions on the publication of texts. In recent decades, several projects have circumvented these restrictions by both deleting some parts of the data and publishing derived data from the original files. We discuss the limitations of the commonly used ad-hoc solutions and the deprecation of the FAIR status that they cause. In contrast, we propose to model derived data in TEI, and present several variants with five corpora from different languages, genres, and periods. We also present the implementation of several features for publishing such data in the TextGrid Repository and the publication of derived data from a corpus of Spanish novels and a corpus of American plays.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5545">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13e5b</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5545</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5545</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5545</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-02-27T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13e5b</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Lessons from the Classroom: MEI for Data Scientists</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Freedman, Richard</dcterms:creator>
                <dcterms:creator>Russo-Batterham, Daniel</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">pedagogy</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">visualization</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">MEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">music</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">data science</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">analysis</dcterms:subject>
                <dcterms:abstract xml:lang="en">Many data science and computer science students today are familiar with JSON, and may even have worked with APIs to extract data from the web. Ask about XML,1 however, let alone TEI or MEI, and you are often met with quizzical looks. Yet XML files contain much information that can be productively analyzed with modern data science tools, so training students to leverage these materials is a worthwhile endeavor. The article shows some of the methods we use to help students understand XML as a hierarchical network of elements, how to traverse this network in search of relevant data, and how to harvest XML elements and attributes as tabular data for further analysis. It also reflects on some of the larger lessons learned through all of this work, as students were encouraged to consider the implications of representing the same knowledge in different ways, or what is gained or lost in the transformation of that knowledge from one representation to another.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5480">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13d1r</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5480</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5480</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5480</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-02-24T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13d1r</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Making Japanese Imperial Court Music Scores Machine-Readable</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Seki, Shintaro</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">gagaku</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Music Encoding</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Japanese music</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">tōgaku</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">cultural diversity</dcterms:subject>
                <dcterms:abstract xml:lang="en">Gagaku is the oldest orchestral court music tradition that still exists today. This paper first provides background on gagaku, including its long history and the key transformations that shaped its current form. Then, it discusses the unique role of scores in the primarily oral transmission of gagaku music. Unlike those of Western classical music, gagaku scores serve as memory aids rather than prescriptive sets of instructions. Next, the paper examines the structure and key elements of gagaku scores, using the hichiriki, a type of wind instrument used in gagaku as a case study. It proposes an XML encoding method that divides the score into cells, marking up the main music description components in a gagaku score such as shōga, tetsuke, and hyōshi. Finally, the paper explores the potential benefits of integrating this gagaku score-encoding approach with Western staff-notation versions encoded in the Music Encoding Initiative (MEI) format. Linking these formats could enable new computer-assisted research methodologies for studying gagaku across its varied score materials.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5439">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13au4</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5439</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5439</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5439</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-02-11T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13au4</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Studying Poetry through Music: The Tasso in Music Project</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Ricciardi, Emiliano</dcterms:creator>
                <dcterms:creator>Sapp, Craig Stuart</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">Torquato Tasso</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">literary variants</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">music-text analysis</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Humdrum</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">MEI</dcterms:subject>
                <dcterms:abstract xml:lang="en">The Tasso in Music Project (https://​tassomusic.​org) is a digital critical edition of the early modern musical settings of the poetry of Torquato Tasso (1544–95). Comprising about eight hundred musical settings and representing the work of over two hundred composers, this repertoire is significant not only for musical reasons, but also for literary reasons, since these musical settings shed light on the dissemination of Tasso’s work and offer insight into the form and meaning of his poems. Accordingly, besides providing newly made critical editions of the musical settings in a variety of electronic formats (Humdrum, MEI, MusicXML), the project features a wide array of tools designed to illuminate the tradition of the poetic texts and music/text relations. More specifically, the project includes TEI transcriptions of the poetic texts as they appear in musical settings and in contemporaneous literary sources, both manuscript and printed, with dynamic visualization of literary variants across sources. This dynamic collation of variants provides indispensable data for the study of the notoriously intricate transmission of Tasso’s poetry. Likewise, the Tasso in Music Project features newly developed tools for the study of music-text relations, such as computational analysis of poetic prosody/musical rhythm and musical cadences/poetic syntax, which show how a musical setting can function as a parsing of a poem’s metrical/syntactic structure. Through its editions and tools, the Tasso in Music Project addresses a wide audience encompassing not only music scholars and performers, but also literary scholars. At the same time, the project provides a digital framework in which music and poetry receive equal attention, as do philology and analysis.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5343">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/132ex</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5343</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5343</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5343</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-01-12T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
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                <dcterms:title>Using d2d for Writing XML</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
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                <dcterms:creator>Lepper, Markus</dcterms:creator>
                <dcterms:creator>Widemann, Baltasar Trancón y</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">music-theory publishing</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">dynamic documents</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">text processing pipeline</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">LilyPond</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">d2d</dcterms:subject>
                <dcterms:abstract xml:lang="en">The textual structures of notes and publications in music theory and musical analysis bring challenging requirements: how to include music notation excerpts, graphics, and even combinations thereof into the typeset flow of paragraphs and the workflow, and how to integrate navigable references to these and to single domain entities into running text. Furthermore, dynamic interactive documents can be useful for presenting complicated interdependencies to the reader more clearly, far beyond conventional paper publication. D2d is a text format definition and compiler-based implementation to allow domain experts and novelists to write texts in the flow of authoring, with minimal technical interference, that are nevertheless valid XML documents. The multiNotes text architecture and processing pipeline described here is based on d2d and standard technologies (XSLT, ECMAScript, lilyPond, PostScript, etc.) and addresses these issues. It can be reused as it is for further projects. Being standard XML, switching the backend to other formats (like TEI plus MEI) seems promising—not affecting the underlying design criteria. All source texts are in the public domain; a publication on an open-source code repository is in preparation.</dcterms:abstract>
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                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
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                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/12na6</dcterms:identifier>
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                <dcterms:title>Letters and Musical Sketches. Toward a Proper Integration of Bellini’s Writings.</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Mazzagufo, Laura</dcterms:creator>
                <dcterms:creator>Sichera, Pietro</dcterms:creator>
                <dcterms:creator>Spampinato, Daria</dcterms:creator>
                <dcterms:creator>Grosso, Angelo Mario Del</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">Digital scholarly edition</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Vincenzo Bellini</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">musical sketches</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">XML-MEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">encoding integration</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Bellini Digital Correspondence</dcterms:subject>
                <dcterms:abstract xml:lang="en">This article examines the use of XML-based technologies to encode verbal and musical texts in two publishing products featuring autograph material by Vincenzo Bellini (1801–1835), held at the Museo civico Belliniano in Catania, Italy. The first product is a digital scholarly edition (DSE) of Bellini’s autograph letters, encoded using the XML-TEI vocabulary. The second project involves the encoding of Bellini’s musical sketches, which often complement the letters by providing concrete examples of his compositional techniques. An experimental approach using the Music Encoding Initiative (MEI) vocabulary was adopted for these sketches: this encoding process required custom solutions to address the texts’ unique features, such as authorial interventions, the sketches’ embryonic nature, the copresence of musical notation and textual annotations, and the interrelations of different studies. This article therefore examines formal representational strategies and challenges encountered during the encoding process, particularly for musical texts, and presents an initial proposal aimed at properly integrating information from the TEI-encoded verbal texts and MEI-encoded musical texts, using an approach modeled after the Web Annotation Data Model (WADM) and its current implementation in TEI. We believe that the integration of these practices, technologies, and data is a means to unravel Bellini’s compositional process and his artistic sensibility, thereby enhancing both scholarly research and public engagement with his work.</dcterms:abstract>
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              <mets:div LABEL="Applied Text as Graph (ATAG) in an Algorithmic Edition" TYPE="article" DMDID="MD_OJ_jtei_6027" ID="SM_OJ_jtei_6027" ORDER="10">
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              <mets:div LABEL="3D Text Encoding and TEI" TYPE="article" DMDID="MD_OJ_jtei_6727" ID="SM_OJ_jtei_6727" ORDER="13">
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      <header>
        <identifier>oai:revues.org:jtei/5040</identifier>
        <datestamp>2025-03-10T12:11:08Z</datestamp>
        <setSpec>journals</setSpec>
        <setSpec>journals:jtei</setSpec>
        <setSpec>openaire</setSpec>
      </header>
      <metadata>
        <mets:mets xmlns:mets="http://www.loc.gov/METS/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/METS/ https://www.loc.gov/standards/mets/mets.xsd http://www.w3.org/1999/xlink https://www.loc.gov/standards/mets/xlink.xsd http://purl.org/dc/terms/ https://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd">
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                <dcterms:identifier scheme="URN">urn:doi:10.4000/1209j</dcterms:identifier>
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                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5040</dcterms:identifier>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2024-07-11T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>issue</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/1209j</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Selected Papers from the 2022 TEI Conference</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:contributor>Martina, Scholger</dcterms:contributor>
                <dcterms:contributor>James, Cummings</dcterms:contributor>
                <dcterms:contributor>Tiago, Sousa Garcia</dcterms:contributor>
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          <mets:dmdSec ID="MD_OJ_jtei_5042">
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              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/11qjn</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5042</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5042</dcterms:hasFormat>
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                <dcterms:issued xsi:type="dcterms:W3CDTF">2024-07-11T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/11qjn</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Back to Analog. Printing Digital Editions for Data Quality.</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Kupreyev, Maxim</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">digital editions</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">PDF export</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">print</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">XSL-FO</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Agile</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">data quality assurance</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">software test</dcterms:subject>
                <dcterms:abstract xml:lang="en">This article discusses the challenges of printing TEI XML data sets, and highlights a useful diagnostic value of PDF export for data quality. PDF output, indeed, renders only a part of the encoded information, but it can expose problems pertaining to the semantic accuracy and consistency, syntactic compliance, and completeness of the data. The uncovered problems are presented as possessing three dimensions: internal (the compliance of XML code with data models and schemata), external (the consistency of the print output in rendering the original), and contextual (arising from the interaction of XML with the transformation scenarios). These dimensions help to provide the definition of an error in the context of scholarly digital editions—both retro-digitized and originally digital. The article examines the extended skill set required of quality assurance specialists in social sciences and humanities (SSH) as compared to their industrial counterparts. It also places PDF production within the Agile testing framework, which aims to capture and eliminate defects in the early stages of product development.</dcterms:abstract>
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          <mets:dmdSec ID="MD_OJ_jtei_5084">
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              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/1209k</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5084</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5084</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5084</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2024-07-11T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/1209k</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>By a Thread: Encoding Online Forum Data in TEI</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Reimann, Sebastian</dcterms:creator>
                <dcterms:creator>Rodenhausen, Lina</dcterms:creator>
                <dcterms:creator>Elwert, Frederik</dcterms:creator>
                <dcterms:creator>Scheffler, Tatjana</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">computer-mediated communication</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">digital religion</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">emojis</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">online forums</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Reddit</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">thread structure</dcterms:subject>
                <dcterms:abstract xml:lang="en">Online forums are platforms where users interact in conversations organized around common topics. In this paper, we make a proposal for encoding forum data according to the TEI Guidelines using a unified format, which covers both traditional online forums as well as Reddit, the largest platform that offers forum functionality. We first discuss the specific properties of various types of forums, including most prominently their treelike thread structure. We argue that this tree structure is best represented in a nested XML tree, and does not follow existing stream- or timestamp-based CMC schemas. We present a solution that makes use of a wide range of previously available elements from the TEI Guidelines and the CMC-core schema to encode forums with different thread structures, types of post reactions, and sets of available emojis. Moreover, we propose a TEI header for storing forum metadata within the context of interdisciplinary research, which addresses the challenges of applying TEI elements to born-digital data. Finally, we propose customizations to preexisting TEI elements that are necessary to cover several peculiarities of online forums.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5138">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/1204a</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5138</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5138</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5138</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2024-07-11T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/1204a</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>ATOP</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Bauman, Syd</dcterms:creator>
                <dcterms:creator>Holmes, Martin</dcterms:creator>
                <dcterms:creator>Sabel, Helena Bermúdez</dcterms:creator>
                <dcterms:creator>Maus, David</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">XSLT</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">ODD</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">TEI</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">ATOP</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Stylesheets</dcterms:subject>
                <dcterms:abstract xml:lang="en">The TEI XSL Stylesheets codebase is a tool that tackles the transformation of TEI XML documents to and from various formats. This includes the crucial activity of generating schemas from TEI ODD, the TEI XML–conformant specification format that allows one to write a schema language (for example, TEI P5 itself is written in ODD) or to customize TEI P5 using a literate programming approach. Because of the difficulties of maintaining this current set of stylesheets, a task force was created with the mission of developing, from scratch, an ODD processor that reads in a series of one or more TEI ODD customization files, merges them with a TEI language (likely, but not necessarily, TEI P5 itself), and generates RELAX NG and Schematron schemas. This paper presents a rationale for this task and the initial steps of this work.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5705">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/13utq</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5705</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5705</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5705</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-05-01T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/13utq</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Revising sex and gender in the TEI Guidelines</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Beshero-Bondar, Elisa Eileen</dcterms:creator>
                <dcterms:creator>Viglianti, Raffaele</dcterms:creator>
                <dcterms:creator>Bermúdez-Sabel, Helena</dcterms:creator>
                <dcterms:creator>Jenstad, Janelle</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">personography</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">sex</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">gender</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">Guidelines history</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">state</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">trait</dcterms:subject>
                <dcterms:abstract xml:lang="en">With the October 2022 release of the TEI Guidelines, the TEI Technical Council introduced a element and several revisions to the documentation of related elements and attributes. These revisions respond to calls in the TEI community for a way to encode gender in the context of prosopography (or TEI personography), distinct from linguistic morphological gender. In the process of introducing the new encoding, the Council revised passages of the Names, Dates, People, and Places (ND) chapter to remove prescriptive statements about sex and gender, and to modify the TEI’s guidance on representing individual states and traits. Building on the authors’ presentation to the September 2022 TEI Conference, this article discusses the 2022 efforts as one stage in a series of revisions over the past decade, provides background on the theory guiding their work, explores standoff personography applications of the new elements and attributes to a passage of Virginia Woolf’s Orlando, and discusses an experimental encoding of sex and gender in cast lists from early modern playbooks.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5894">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/140ph</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5894</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5894</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5894</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-05-27T02:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/140ph</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>Texts All the Way Down: The Intertextual Networks Project</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Clark, Ash</dcterms:creator>
                <dcterms:creator>Connell, Sarah</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">metadata</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">interface development</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">bibliography</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">prosopography</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">accessibility</dcterms:subject>
                <dcterms:abstract xml:lang="en">This paper shares the Women Writers Project’s newest publication, Women Writers: Intertextual Networks, which supports new insights into women’s engagements with print culture during the watershed period of the sixteenth to the nineteenth centuries. With the Intertextual Networks interface, users can discover the many ways that pre-Victorian women writers engaged with and helped to produce early literate culture through their citations, quotations, references, allusions, and more. To create this resource, the WWP team identified all of the texts referenced from within the Women Writers Online collection, and linked these to a bibliography which currently contains more than 4,000 items. The Intertextual Networks interface includes 12,000 quotations, 7,000 citations, 5,000 titles, and hundreds of other forms of intertextuality, described by the WWP as “intertextual gestures.” Owing to its size, this project can offer a model for large-scale bibliographic data wrangling among a complex set of primary sources. This paper shares insights and challenges from this project, discussing strategies for modeling, enabling discovery, and revealing complex layers of textual data and textuality among not only a primary corpus but also a related collection of texts.</dcterms:abstract>
              </mets:xmlData>
            </mets:mdWrap>
          </mets:dmdSec>
          <mets:dmdSec ID="MD_OJ_jtei_5979">
            <mets:mdWrap MDTYPE="DC" LABEL="Dublin Core Descriptive Metadata" MIMETYPE="text/xml">
              <mets:xmlData>
                <dcterms:identifier scheme="URN">urn:doi:10.4000/15bou</dcterms:identifier>
                <dcterms:language xsi:type="dcterms:RFC1766">en</dcterms:language>
                <dcterms:created xsi:type="dcterms:W3CDTF">2024</dcterms:created>
                <dcterms:identifier scheme="URI">https://journals.openedition.org/jtei/5979</dcterms:identifier>
                <dcterms:hasFormat scheme="TEI">https://journals.openedition.org/jtei/tei/5979</dcterms:hasFormat>
                <dcterms:hasFormat scheme="BASICTEI">https://journals.openedition.org/jtei/basictei/5979</dcterms:hasFormat>
                <dcterms:issued xsi:type="dcterms:W3CDTF">2025-12-11T01:00:00Z</dcterms:issued>
                <dcterms:accessRights>info:eu-repo/semantics/openAccess</dcterms:accessRights>
                <dcterms:type>article</dcterms:type>
                <dcterms:identifier scheme="URN">urn:handle:20.500.13089/15bou</dcterms:identifier>
                <dcterms:rights>https://creativecommons.org/licenses/by/4.0/</dcterms:rights>
                <dcterms:title>From OxGarage to TEIGarage and MEIGarage</dcterms:title>
                <dcterms:publisher>Journal of the Text Encoding Initiative</dcterms:publisher>
                <dcterms:publisher>TEI Consortium</dcterms:publisher>
                <dcterms:isPartOf scheme="URN">urn:eissn:2162-5603</dcterms:isPartOf>
                <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/jtei</dcterms:isPartOf>
                <dcterms:creator>Stadler, Peter</dcterms:creator>
                <dcterms:creator>Ferger, Anne</dcterms:creator>
                <dcterms:creator>Röwenstrunk, Daniel</dcterms:creator>
                <dcterms:subject xml:lang="en" scheme="keywords">sustainable software</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">OxGarage</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">TEIGarage</dcterms:subject>
                <dcterms:subject xml:lang="en" scheme="keywords">MEIGarage</dcterms:subject>
                <dcterms:abstract xml:lang="en">OxGarage is a user-friendly web service and RESTful API for managing document transformation. It has a rich history of usage and development within the digital humanities. Its open and flexible structure enables seamless integration of new plugins and features, making it a versatile infrastructure suitable for various research communities. Recently, OxGarage has been succeeded by TEIGarage and MEIGarage, both of which share a common core derived from the original OxGarage. These Garages have become integral components of the scholarly infrastructure for the TEI and MEI communities and are essential resources for various services, workflows, and individuals on a daily basis. This paper documents the recent transition from OxGarage to TEIGarage and MEIGarage, outlining specific measures taken to ensure smooth deployment, future development, and reusability. Additionally, it provides insights into the previous developments and history of this software, emphasizing its sustainability and infrastructural resilience. Often, such infrastructures are taken for granted, even though their users rely heavily on the efforts of individuals who build and maintain them. This paper endeavors to acknowledge and credit those responsible for the success of the Garages.</dcterms:abstract>
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