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          <dcterms:title>Un Orient à l'intérieur de l'Europe: la Péninsule Ibérique et ses représentations</dcterms:title>
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          <dcterms:contributor>Machado, Everton V.</dcterms:contributor>
          <dcterms:contributor>Dubost, Jean‑Pierre</dcterms:contributor>
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          <dcterms:type>introduction</dcterms:type>
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          <dcterms:title>Introduction</dcterms:title>
          <dcterms:description> Il n’est jamais inutile de rappeler que, dans son L’Orientalisme : l’Orient créé par l’Occident, Edward W. Said soulignait que « l’Orient est moins un lieu au sens géographique qu’un topos » (Said, 2006 : 204). Déjà, dans les Cahiers de prison, Antonio Gramsci – chez qui Said a puisé le concept d’hégémonie culturelle – avait mis en garde contre la construction arbitraire de l’Est et de l’Ouest, puisque tout point du globe pourrait être simultanément l’un et l’autre, et que ces termes ne se s...</dcterms:description>
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          <dcterms:creator>Machado, Everton V.</dcterms:creator>
          <dcterms:creator>Dubost, Jean-Pierre</dcterms:creator>
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          <dcterms:identifier scheme="URN">urn:doi:10.4000/158r4</dcterms:identifier>
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          <dcterms:title>Soi-même comme un autre ? Vertus et contradictions de la géographie mentale orientaliste</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
          <dcterms:publisher>APEF</dcterms:publisher>
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          <dcterms:creator>Dubost, Jean-Pierre</dcterms:creator>
          <dcterms:subject xml:lang="fr" scheme="keywords">Herder (Gottfried)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Quinet (Edgar)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Renaissance orientale</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">cosmopolitisme</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Les Lusiades</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Herder (Gottfried)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Quinet (Edgar)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Oriental Renaissance</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Cosmopolitanism</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">The Lusiads</dcterms:subject>
          <dcterms:abstract xml:lang="fr">L’article prend au mot la question de la présence d’un l’Orient à l’intérieur de l’Europe et notamment dans la péninsule ibérique, en élargissant cette problématique à sa dimension européenne à partir d’Edgar Quinet qui fut le transmetteur de la relation orientale propre aux pays germanophones. Si la dénonciation d’un Orient comme « scène de théâtre attaché à l’Europe » si visible dans l’exotisme romantique faisant de l’Ibérie une scène orientale « domestique », est pour Edward Said indissociable du processus colonial, ce rapport est inexistant dans l’espace germanophone, et Said reconnaît aussi qu’une intelligence du dix-huitième siècle pouvait « ouvrir une brèche dans les murs doctrinaux » et « apercevoir des éléments cachés entre Orient et Occident. » Ce fut entre autres le cas dans certains textes de Herder que Quinet a traduits, dans lesquels un deep understanding accompagne une problématique de la diversité des identités culturelles. Le Génie des religions de Quinet (1842) s’en inspire, surtout dans le chapitre intitulé La renaissance orientale. La « géographie mentale » qu’elle construit est particulièrement visible dans les pages consacrées aux Lusiades, dans lesquelles Quinet voit « une alliance de l’Orient et de l’Occident », confondant les vaisseaux de la conquête et l’unification de l’humanité. C’est le point aveugle d’un cosmopolitisme dont le substrat théologico-politique hérité de Herder s’allie à « l’esprit de l’industrie ». Si le processus colonial est oblitéré, dans les cours de ‘littérature étrangère’ que Quinet donne à Lyon et dont il intègre le message dans l’ouvrage, il lance aussi un vibrant appel à dépasser « l’idolâtre des nations » dans une perspective de littérature mondiale (Weltliteratur) qui naît d’une conscience de mondialité (Weltbewusstsein) à la fois animée d’un désir d’altérité et d’esprit bourgeois, comme le dénoncent Marx et Engels dans leur éloge critique de la Weltliteratur goethéenne.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">The article takes literally the question of the presence of the Orient within Europe — and more specifically within the Iberian Peninsula — expanding this issue to its European dimension through Edgar Quinet, who served as the transmitter of the “Oriental relation” characteristic of the German-speaking countries. While the denunciation of an Orient as a “theatrical stage affixed to Europe,” so visible in Romantic exoticism that made Iberia a kind of “domestic Orient,” is for Edward Said inseparable from the colonial process, this relation is absent in the German-speaking world. Said also acknowledges that “an eighteenth-century mind could breach the doctrinal walls erected between the West and Islam and see hidden elements of kindship between himself and the Orient”. This was the case, among others, in certain texts by Herder that Quinet translated, in which a deep understanding accompanies a reflection on the diversity of cultural identities. Quinet’s Le Génie des religions (1842) draws inspiration from this, particularly in the chapter entitled The Oriental Renaissance. Its “mental geography” is especially evident in the pages devoted to The Lusiads, in which Quinet perceives “an alliance of the Orient and the Occident,” conflating the ships of conquest with the unification of humanity. This is the blind spot of a cosmopolitanism whose theological-political substratum, inherited from Herder, aligns with “the spirit of industry.” While the colonial process is elided, in the lectures on “foreign literature” that Quinet gave in Lyon — and whose message he integrates into the work — he also issues a passionate call to move beyond “the idolatry of nations,” in the perspective of a world literature (Weltliteratur) born from a world-consciousness (Weltbewusstsein), animated both by a desire for otherness and by a bourgeois spirit – as Marx and Engels denounced in their praise and critique of Goethe’s Weltliteratur.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">Oneself as another ? Virtues and contradictions of Orientalist mental geography</dcterms:alternative>
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          <dcterms:identifier scheme="URN">urn:doi:10.4000/158r5</dcterms:identifier>
          <dcterms:language xsi:type="dcterms:RFC1766">fr</dcterms:language>
          <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
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          <dcterms:title>Le rôle inattendu du Portugal dans le processus d'orientalisation de la langue arabe au xvie siècle</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
          <dcterms:publisher>APEF</dcterms:publisher>
          <dcterms:isPartOf scheme="URN">urn:eissn:1646-7698</dcterms:isPartOf>
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          <dcterms:creator>Picherot, Émilie</dcterms:creator>
          <dcterms:subject xml:lang="fr" scheme="keywords">Portugal</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">humanisme</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Clénard (Nicolas)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Postel (Guillaume)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">langue arabe</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Portugal</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">humanism</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Clénard (Nicolas)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Postel (Guillaume)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Arabic language</dcterms:subject>
          <dcterms:abstract xml:lang="fr">La langue arabe, pratiquée en Europe occidentale pendant huit siècles, est rattachée, dans les représentations collectives, à un espace oriental. En suivant les trajectoires de Nicolas Clénard et de Guillaume Postel, tous deux humanistes et arabisants, il est possible de montrer les logiques collectives et individuelles qui l’expliquent. Clénard, qui part à la recherche d'un maître d'arabe en Péninsule ibérique, accepte l'invitation de Jean iii, et séjourne plusieurs années à Evora puis à Braga. Persuadé que c'est à l'Ouest de la Méditerranée qu'il faut chercher la langue arabe, il finit par recruter un esclave tunisien, grand érudit, qui lui apprend la langue avant d'être libéré. Au contraire, le jeune Postel, génie des langues, refuse la même invitation portugaise et participe peu après à la première ambassade de France à Constantinople (1535). Les institutions françaises iront désormais vers l'Est de la Méditerranée pour chercher les sources de la langue arabe devenue une langue orientale.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">The Arabic language, spoken in Western Europe over a period of eight centuries, is associated in collective representations with an Eastern world. Following the trajectories of Nicolas Clénard and Guillaume Postel, both humanists and Arabists, it is possible to identify the collective and individual reasons for this. Clénard, who was looking for an Arabic teacher in the Iberian Peninsula, accepted John III's invitation and spent several years in Evora and then Braga. Convinced that it was to the west of the Mediterranean that the Arabic language should be sought out, he finally found a Tunisian slave, a distinguished scholar, who taught him the language before being liberated. On the contrary, the young Postel, a linguistic genius, refused the same Portuguese invitation and shortly afterwards took part in the first French embassy in Constantinople (1535). From then on, French institutions would look to the eastern Mediterranean to find the sources of the Arabic language, which had become an eastern language.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">The Unexpected Role of Portugal in the Orientalisation of the Arabic Language in the Sixteenth Century</dcterms:alternative>
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          <dcterms:title>Un « Orient domestique » propre au Portugal: penser les représentations de l’Islam à partir de l’arabisant David Lopes (1867-1942)</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
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          <dcterms:creator>Machado, Everton V.</dcterms:creator>
          <dcterms:subject xml:lang="fr" scheme="keywords">Orientalisme</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Arabisme</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Maures</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Orient domestique</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Péninsule Ibérique</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Arabism</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Domestic Orient</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Iberian Peninsula</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Moors</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Orientalism</dcterms:subject>
          <dcterms:abstract xml:lang="fr">À partir de celui qui est considéré comme le plus grand arabisant portugais – ou du moins celui qui a perfectionné ce domaine dans le pays par une production s’étendant sur près de cinq décennies entre philologie et historiographie –, il devient possible de parler de la constitution d’un « Orient domestique » qui reflète la représentation de l’Islam et des musulmans selon un spectre temporel et géographique étendu, intimement lié à la formation du caractère national du Portugal. Toutefois, la constitution de cet « Orient domestique » ne saurait être comprise sans la forte empreinte laissée sur l’orientalisme européen par des spécialistes tels que les Français Silvestre de Sacy et Ernest Renan.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">Starting from the figure considered the greatest Portuguese Arabist – or at least the one who refined the field in the country through nearly five decades of work spanning philology and historiography – it becomes possible to speak of the constitution of a « domestic Orient » that reflects the representation of Islam and Muslims across a broad temporal and geographical spectrum, closely tied to the formation of Portugal’s national character. However, the constitution of this « domestic Orient » cannot be fully understood without acknowledging the strong imprint left on European Orientalism by scholars such as the French Silvestre de Sacy and Ernest Renan.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">A “Domestic Orient” of Portugal: Thinking the Representations of Islam through the Arabist David Lopes (1867–1942)</dcterms:alternative>
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          <dcterms:issued xsi:type="dcterms:W3CDTF">2025-11-29T01:00:00Z</dcterms:issued>
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          <dcterms:identifier scheme="URN">urn:handle:20.500.13089/158r7</dcterms:identifier>
          <dcterms:rights>https://creativecommons.org/licenses/by-nc/4.0/</dcterms:rights>
          <dcterms:title>Les Gitanos de Gautier : un autre « Orient » dans l’Orient espagnol</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
          <dcterms:publisher>APEF</dcterms:publisher>
          <dcterms:isPartOf scheme="URN">urn:eissn:1646-7698</dcterms:isPartOf>
          <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/carnets</dcterms:isPartOf>
          <dcterms:creator>Moussa, Sarga</dcterms:creator>
          <dcterms:subject xml:lang="fr" scheme="keywords">Orient</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Gautier (Théophile)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">voyage en Espagne</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Gitans</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">orientalisme</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Gautier (Théophile)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">travel in Spain</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Gypsies</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Orient</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">orientalism</dcterms:subject>
          <dcterms:abstract xml:lang="fr">La première partie de cet article, qui porte sur le Voyage en Espagne (1843) de Théophile Gautier, examine la façon dont le narrateur projette dans l’espace les signes d’orientalité annonçant l’Espagne andalouse, sorte de voyage en Orient par anticipation. La deuxième partie montre comment Gautier construit l’Andalousie comme une terre de la différence sur un plan à la fois esthétique, moral et idéologique, puisqu’elle constitue une sorte de contre-monde opposé à l’eurocentrisme « progressiste » et « civilisateur ». Enfin, la troisième partie s’attache à l’épisode des Gitans de l’Albaycin, à Grenade : il s’agit là d’une représentation complexe, les Gitans incarnant un Orient plus lointain (ils sont censés venir d’Inde) ; ils sont représentés de façon ambivalente, les clichés orientalistes étant tout à la fois employés et mis à distance ; fascinants et étranges, les Gitans de l’Albaycin renvoient aux aspirations et aux inquiétudes de Gautier et de ses contemporains.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">The first part of this article, dealing with Théophile Gautier's Voyage en Espagne (1843) [Journey to Spain], examines how the narrator projects the signs of orientalism announcing Andalusian Spain, a sort of journey to the East in anticipation. The second part shows how Gautier constructs Andalusia as a land of difference, on an aesthetic, moral and ideological level, since it constitutes a kind of counter-world opposed to ‘progressive’ and ‘civilising’ Eurocentrism. Finally, the third part focuses on the episode of the Gypsies of the Albaycin in Granada: this is a complex representation, with the gypsies embodying a more distant Orient (they are supposed to come from India); they are represented in an ambivalent way, with orientalist clichés being both used and distanced; fascinating and strange, the gypsies of the Albaycin reflect the aspirations and concerns of Gautier and his contemporaries.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">Gautier’s Gitanos: Another “Orient” within the Spanish Orient</dcterms:alternative>
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        <identifier>oai:revues.org:carnets/16783</identifier>
        <datestamp>2025-11-30T23:13:39Z</datestamp>
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          <dcterms:identifier scheme="URN">urn:doi:10.4000/158r8</dcterms:identifier>
          <dcterms:language xsi:type="dcterms:RFC1766">fr</dcterms:language>
          <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
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          <dcterms:rights>https://creativecommons.org/licenses/by-nc/4.0/</dcterms:rights>
          <dcterms:title>Un Orient à portée de main : réflexion à partir de quelques textes de voyage en espace ibérique</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
          <dcterms:publisher>APEF</dcterms:publisher>
          <dcterms:isPartOf scheme="URN">urn:eissn:1646-7698</dcterms:isPartOf>
          <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/carnets</dcterms:isPartOf>
          <dcterms:creator>Outeirinho, Fátima</dcterms:creator>
          <dcterms:subject xml:lang="en" scheme="keywords">19th century</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">travel books</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">imaginary Orient</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Iberia</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">livres de voyage</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Orient imaginaire</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">xixe siècle</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">espace ibérique</dcterms:subject>
          <dcterms:abstract xml:lang="fr">Il s’agit dans cet article d’approcher un imaginaire oriental ibérique inscrit dans quelques récits de voyage français et portugais du xixe siècle afin de contribuer à faire le point sur les représentations de l’espace ibérique en tant qu’« Orient » en Europe. Comme les voyages français en Espagne, à l'époque romantique, ont eu lieu bien avant le développement de la pratique du voyage culturel portugais, les textes qui en sont issus serviront de matrice à l'écriture de voyage portugaise, entraînant, d’une part, une action de glose et, d’autre part, une circulation plus large et une sédimentation de tout un imaginaire de l’Orient à l'intérieur même de l’Europe.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">This article aims to explore the Iberian Oriental imaginary in a few nineteenth-century French and Portuguese travel narratives, to help map out representations of Iberia as the ‘Orient’ in Europe. As French travels to Spain in the Romantic period took place well before the development of Portuguese cultural travel, the texts that emerged from them will serve as a framework for Portuguese travel writing, leading, on the one hand, to a process of glossing and, on the other, to the broader circulation and sedimentation of an entire imaginary of the Orient within Europe itself.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">An Orient Within Reach: Reflections from a Few Travel Texts in the Iberian Space</dcterms:alternative>
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        <identifier>oai:revues.org:carnets/16839</identifier>
        <datestamp>2025-11-30T23:12:04Z</datestamp>
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          <dcterms:identifier scheme="URN">urn:doi:10.4000/158r9</dcterms:identifier>
          <dcterms:language xsi:type="dcterms:RFC1766">fr</dcterms:language>
          <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
          <dcterms:identifier scheme="URI">https://journals.openedition.org/carnets/16839</dcterms:identifier>
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          <dcterms:type>article</dcterms:type>
          <dcterms:identifier scheme="URN">urn:handle:20.500.13089/158r9</dcterms:identifier>
          <dcterms:rights>https://creativecommons.org/licenses/by-nc/4.0/</dcterms:rights>
          <dcterms:title>L’Orient dans le Romanceiro d’Almeida Garrett : Représentations de l’altérité musulmane et de l’atmosphère française</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
          <dcterms:publisher>APEF</dcterms:publisher>
          <dcterms:isPartOf scheme="URN">urn:eissn:1646-7698</dcterms:isPartOf>
          <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/carnets</dcterms:isPartOf>
          <dcterms:creator>Boto, Sandra</dcterms:creator>
          <dcterms:subject xml:lang="en" scheme="keywords">Romanticism</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">East</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Garrett (Almeida)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Portuguese Folk Balladry</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Carolingian atmosphere</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Orient</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Garrett (Almeida)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">ballade folklorique Portugaise</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Romantisme</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">atmosphère carolingienne</dcterms:subject>
          <dcterms:abstract xml:lang="fr">Cet article porte sur la notion d’Orient dans un ensemble de ballades du poète romantique portugais Almeida Garrett (1799-1854). Il met en avant le cadre critique qui régit le concept d’Orient en tant que mythe de l’altérité, ainsi que la valorisation que le Romantisme Portugais lui a donné, dans sa superficialité exotique toujours liée au contexte médiéval de la création des nationalités ibériques (c’est le cas du Portugal). Il explore, en même temps, l’atmosphère carolingienne qui entourait la vision épique des Croisades et de la Reconquête Chrétienne qui s’est transférée à la vieille ballade ibérique, patrimoine poétique que la veine romantique de Garrett a su exploiter de façon magistrale, par l’analyse des différentes significations que l’Orient revêt pour le poète portugais : l’Orient voisin, c’est-à-dire, la place des conflits frontaliers avec les Maures ; l’Orient en tant que lieu inconnu d’aventure et l’Orient comme lieu mystique.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">This article examines the notion of East in a set of ballads by the Portuguese Romantic poet Almeida Garrett (1799-1854). It highlights the critical framework that rules the concept of East as a myth of otherness, as well as the value that the Portuguese Romanticism assigned to it, in its exotic superficiality always linked to the medieval context of the creation of the Iberian nationalities (in this case the Portuguese). At the same time, it explores the Carolingian atmosphere that surrounded the epic imaginary of the Crusades and the Christian Reconquest, which was transferred to the old Iberian balladry, a poetic heritage that Garrett's Romanticism was able to masterfully capitalise on, by analysing the different meanings of East : the neighbouring East, that is to say, the place of border conflicts with the Moors, the East as an unknown place for adventures, and even the East as a mystical place.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">The Orient in Almeida Garrett’s Romanceiro: Representations of Muslim Otherness and of the French Atmosphere</dcterms:alternative>
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        <identifier>oai:revues.org:carnets/16897</identifier>
        <datestamp>2025-11-30T23:14:57Z</datestamp>
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          <dcterms:identifier scheme="URN">urn:doi:10.4000/158rb</dcterms:identifier>
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          <dcterms:created xsi:type="dcterms:W3CDTF">2025</dcterms:created>
          <dcterms:identifier scheme="URI">https://journals.openedition.org/carnets/16897</dcterms:identifier>
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          <dcterms:identifier scheme="URN">urn:handle:20.500.13089/158rb</dcterms:identifier>
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          <dcterms:title>L’Orient chez nous. Annotations marginales et (auto)orientalisation : les lecteurs outrés de Cartas de um japonez (1907) d’Alfredo Gallis</dcterms:title>
          <dcterms:publisher>Carnets</dcterms:publisher>
          <dcterms:publisher>APEF</dcterms:publisher>
          <dcterms:isPartOf scheme="URN">urn:eissn:1646-7698</dcterms:isPartOf>
          <dcterms:isPartOf xsi:type="dcterms:URI">https://journals.openedition.org/carnets</dcterms:isPartOf>
          <dcterms:creator>Pinto, Marta Pacheco</dcterms:creator>
          <dcterms:subject xml:lang="en" scheme="keywords">Orientalism</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">Gallis (Alfredo)</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">pseudo-translation</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">marginalia</dcterms:subject>
          <dcterms:subject xml:lang="en" scheme="keywords">self-orientalization</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">orientalisme</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">Gallis (Alfredo)</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">pseudo-traduction</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">marginalia</dcterms:subject>
          <dcterms:subject xml:lang="fr" scheme="keywords">auto-orientalisation</dcterms:subject>
          <dcterms:abstract xml:lang="fr">Un roman épistolaire comme Les Lettres persanes de Montesquieu, Cartas de um japonez (de Lisboa para Tokio). Critica d’um oriental ácerca do nosso paiz (1907), d’Alfredo Gallis (1859-1910), fictionnalise la correspondance de Katisako Aragwisa, un voyageur cosmopolite japonais à Lisbonne entre 1904 et 1905. Les lettres sont une critique sociale et morale des Portugais à partir des topoï associés à l’Orient, comme la décadence, la sauvagerie et le libertinage. L’objet d’étude de cette recherche est l’exemplaire de ce roman appartenant au Centre de Documentation du Musée/Fondation de l’Orient à Lisbonne, lequel est abondamment annotée. Il s’agit de soutenir que (1) ces marginalia de lecture constituent un espace de re-orientalisation de l’orient (japonais) alors qu’ils (2) contestent l’(auto-)orientalisation de la société portugaise. C’est dans les marges de la page que se joue la réception des orients représentés dans les lettres fictionnelles comme orientalisation ou auto-orientalisation et donc du texte comme traduction ou original.</dcterms:abstract>
          <dcterms:abstract xml:lang="en">Cartas de um japonez (de Lisboa para Tokio). Critica d’um oriental ácerca do nosso paiz (1907) by Alfredo Gallis (1859-1910) is an epistolary novel that seems modelled on Montesquieu’s Persian Letters. It presents the fictional correspondence of Katisako Aragwisa, a Japanese cosmopolitan traveller in Lisbon from 1904 to 1905. The letters offer a social and moral critique of Portuguese society, building on topoi associated with the Orient, such as decadence, savagery, and debauchery. The present research examines the copy of this work held at the Documentation Centre of the Orient Museum/Foundation in Lisbon, which is copiously annotated. It is argued that (1) these marginalia serve as a space for re-orientalizing the (Japanese) orient while (2) contesting the (self-)orientalization of the Portuguese society. It is thus on the margins of the page that the reception of the orients depicted in the fictional letters is played out as either orientalization or self-orientalization, and the text becomes either a translation or an original.</dcterms:abstract>
          <dcterms:alternative xml:lang="en">The Orient at Home: Marginal Annotations and (Self)Orientalisation – The Outraged Readers of Alfredo Gallis’s Cartas de um japonez (1907)</dcterms:alternative>
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        <datestamp>2025-05-29T01:33:36Z</datestamp>
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          <dcterms:title>Littérature et cinéma : allers et retours</dcterms:title>
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          <dcterms:contributor>Pereira, Maria Eugénia</dcterms:contributor>
          <dcterms:contributor>Da Silva, Marie-Manuelle</dcterms:contributor>
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